Louise DeSalvo is the Jenny Hunter Endowed Scholar for Creative Writing and Literature. She has been awarded The President's Award from Hunter College, the Douglass Society Medal for Distinguished Achievement, and the Gay Talese Award for her memoir, Vertigo, which was also a finalist for Italy's Primo Acerbi prize for literature. DeSalvo has published sixteen books; among them are Virginia Woolf's Melymbrosia, the co-edited Vita Sackville-West's Letters to Virginia Woolf, and the co-edited The Milk of Almonds: Italian American Women Writers on Food and Culture. Her book, Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work, was named one of the most important books of the 20th century by The Women's Review of Books. DeSalvo has also published the memoirs Vertigo, Breathless, Adultery, and Crazy in the Kitchen: Food, Feuds and Forgiveness in an Italian American Family, which was named a Booksense Book of the Year for 2004. Her book about the writing process, Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives, is a widely used resource for writers recovering from trauma, illness, or terrorist acts. She is currently writing another memoir.
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Published: Bloomsbury USA, 3/2009
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Published: Beacon Press, 10/2000
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Published: Bloomsbury USA, 1/2005
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Published: Beacon Press, 3/2000
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Published: Cleis Press, 9/2004
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Published: The Feminist Press at CUNY, 8/2002
DeSalvo (Conceived with Malice) frankly, and wisely, states that her memories of how she grew from a working-class, Italian American child in Hoboken to become a Virginia Woolf scholar may not be accurate because memory cannot always be trusted. This account, with its emphasis on her early years, is the way it seems to her to have been. Her happiest time, she claims, was during WWII, when the world as she saw it was composed only of women and children (she was only three at the war's end). Then the men returned and life became grim. Later her mother became depressed and was institutionalized, her sister committed suicide, she herself was sexually abused by a female family member. Books and the public library were her refuge. In hindsight she finds parallels between her life and Virginia Woolf's that might escape a casual reader. She also sees them in Alfred Hitchcock's Vertigo, which she saw 11 times in one week when she was 15. A more exuberant period came in suburban Ridgefield, N.J., during what she calls her boy crazy period: "I have, in quick succession, 'dated' the entire starting line up of my high school's basketball team... many of its football players, all the baseball infielders, and a few wrestlers." DeSalvo clearly has a sense of humor, and although her success in life?she repeatedly stresses the problems of being Italian, working class and a "girl"?may not be as unique as she seems to think, her clarity of insight and expression makes this an impressive achievement.
Copyright 1996 Reed Business Information, Inc.
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Published: Ballantine Books, 2/1990
Required reading for fans of Woolf, this superlative study traces the impact of early sexual abuse on her personality and her writing. Beginning when she was six, she was regularly abused for many years by her resentful half-brothers, Gerald and George Duckworth, according to her own testimony. George also turned his erotic attentions on Virginia's sister Vanessa, and, by their own admission, the two sisters were homoerotically involved with each other. After their mother's death in 1895, when Virginia was 13, their father, Leslie, apparently turned for sexual fulfillment to his passive stepdaughter Stella, whose family nickname was "the Cow." J. K. ("Jem") Stephen, Virginia's flamboyantly aggressive cousin who went mad, also seems to have had his way with one or more girls in this dysfunctional household. While these horrors have been touched on by Woolf's biographers, DeSalvo, professor of English at Hunter College in Manhattan, delves further than other scholars to dig out what probably, or definitely, happened, and how incest left the novelist feeling betrayed, helpless and tainted. Much of Woolf's writing can be read as an exploration of adolescence in which women are trained to fulfill a subservient role. DeSalvo's insightful analysis of selected works is a major step toward a reappraisal of Woolf's feminism. Photos.
Copyright 1989 Reed Business Information, Inc.
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Published: Feminist Press, 10/2003
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Published: Beacon Press, 8/2002